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ART FICTIONS is a monthly, contemporary art meets literature programme, created by artist Jillian Knipe. Each guest artist selects a piece of fiction, which we both explore, then use as a lens through which to view their artwork. We delve into the book‘s themes, context and characters, which opens up and steers a rich conversation about the artist‘s practice. The podcast bounces back and forth between art and text, all the while focussing on the ideas which govern both. It is a way of talking alongside art, rather than directly at it, getting close and personal with the origins of artistic ideas. Hosting is shared amongst a small group of artists, critics and curators, and artists are selected based on each host's area of specific interest.
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Episodes
Thursday Sep 30, 2021
Thursday Sep 30, 2021
Guest artist HOLLY HENDRY
joins ELIZABETH FULLERTON to chat about her work via Tom McCarthy's 2005 novel 'Remainder' in which the nameless narrator must re-learn body movements after a debilitating accident. He is awarded a ridiculous sum in compensation which he uses to re-enact past happenings in microscopic detail, increasingly absurd and violent in nature.
Holly is a lot more pleasant. However, she is also compelled to open up the surface of objects to discover what's inside. How things work. And when that cannot be done physically, it is explored as an idea.
Elizabeth and Holly discuss her major recent, current and upcoming exhibitions:
Jan 2022 solo exhibition at Stephen Friedman Gallery, London
29 May - 12 Nov 2021 'Invertebrate' De La Warr Pavilion, Bexhill
May 2021 - Mar 2023 group exhibition 'Breaking The Mould, Sculpture by Women since 1945 An Arts Council Collection Touring Exhibition, for venues refer to artscouncilcollection.org.uk/exhibition/breaking-mould-sculpture-women-1945
Oct - Mar 2022 group exhibition 'Beano: The Art of Breaking the Rules' Somerset House, London
19 May - 30 Aug 2021 'Indifferent Deep' De La Warr Pavilion, Bexhill
Sep 2019 - Apr 2020 'The Dump Is Full of Images' Yorkshire Sculpture Park, Wakefield
HOLLY HENDRY
hollyhendry.com
instagram h.ollyh.endry
stephenfriedmangallery.com
ARTISTS & DESIGNERS
Andy Holden
Astrida Neimanis
Helen Turner, E-Werk Luckenwalde, Berlin
Isamu Noguchi
Le Corbusier
Louise Bourgeois
Rebecca Horn
BOOKS & AUTHORS
Albert Camus 'The Stranger'
Beatriz Colomina 'X Rays in Architecture'
Eric Carle 'The Very Hungry Catepillar'
J G Ballard 'The Drowned World'
Maggie Nelson
Miles Orvell 'The Real Thing'
Rebecca Tamas 'Strangers : Essays on the Human and Nonhuman'
Tom McCarthy 'C'
GALLERIES & ASSOCIATES
De La Warr Pavilion
Liverpool Bienniel
Professor Parick Goswami, University of Huddersfield
Royal College of Art
Selfridges
Somerset House
Stephen Friedman Gallery
The Baltic
The International Necronautical Society
Whitehall Fabrications
Yorkshire Sculpture Park
FILMS & PERFORMERS
Buster Keaton
Pauline Oliveros
Robert De Niro
'Who Framed Roger Rabbit?'
Monday Sep 13, 2021
Monday Sep 13, 2021
Guest artist FIONA GRADY
joins me to chat about her work via Jun'ichirō Tanazaki's 1933 essay 'In Praise of Shadows'. The text describes eastern aesthetics being driven by the west, resulting in the loss of Japanese tradition and the loss of the shadow.
Fiona Grady and I discuss her own praise of shadows, working with semi translucent colours on glass, wall murals and watercolours which celebrate subtlety, reflection and the elusiveness of the object of which, I'm quite certain, Tanazaki would approve.
FIONA GRADY
fionagrady.co.uk
instagram fiona_grady
'Close to Home: The Everyday Sublime' JGM Gallery til 25 Sep 2021
'Kaleidoscope Prisms' Canary Wharf til end October 2021
'The Factory Project' October 2021
upcoming at The Foundry Gallery 2022
ARTISTS & CURATORS
Alfred Hitchcock
Anna Lytridou
Anne Veronica Janssens
Beatriz Milhazes
Ben McDonnell
Bridget Riley
Charley Peters
Daniel Buren
David Batchelor
Eric Thorpe
Félix González-Torres
Fumio Asakura
Gordon Matta-Clark
Hannah Luxton
James Turrell
Jane Hayes Greenwood
Julie F Hill
Linda Hemmersbach
Nick Stavri
Poppy Whatmore
Sol leWitt
Tim Ralston
Vivienne Maier
Yukako Shibata
BOOKS
Haruki Murakami 'Hard-Boiled Wonderland and the End of the World' 1985
Leonard Koren 'Wabi-Sabi for Artists, Designers, Poets & Philosophers' 1984
Maggie Nelson 'The Argonauts' 2015
GALLERIES & ART ORGANISATIONS
Artist's Support Pledge
Asakura Museum of Sculpture
Bauhaus
Derix Glasstudios, Germany
JGM Gallery, London
Kevin Gauld Architecture
Leeds Arts University
Nightingale Arts
'Passengers' Residency, The Brunswick Centre
Projekt
Recreational Grounds
Sid Motion Gallery
The Art Station, Suffolk
The Foundry Gallery
White Conduit Projects, London
Thursday Jul 29, 2021
Thursday Jul 29, 2021
Guest artist HANNAH HUGHES
joins ELIZABETH FULLERTON to chat about her work via Virginia Woolf's 1931 novel 'The Waves'. Not so much a story as a stream (or perhaps, more accurately, a wave) of consciousness, the book is classified as an experimental fiction. It describes the thoughts of six characters through soliloquies, whose lives all pivot around the muted Percival.
Hannah and Elizabeth then open up the artist's practice as collages, cuts and slide-throughs of shadowy forms and real edges. They track how shapes are formed from in-between spaces around objects and the body, how multiple processes distance the form from its source, the invention of visual language and the importance of fragmentations which create a sense of the whole.
ARTISTS
Tuesday Jul 06, 2021
Tuesday Jul 06, 2021
Guest artist LUKE BURTON
joins me to chat about his work via Ben Lerner's 2019 novel 'The Topeka School'. The story revolves around Adam Gordon and his parents, and the ambivalence of language as both a pathway to reparation and a driving force towards violence.
Luke Burton and I go on to discuss his own ambivalence, working with and against male and masculine archetypes in Western art. We acknowledge the ability of psychotherapy to excavate knowledge you didn't previous have about yourself, the selective access to language, the aggression within public rhetoric and language as spells.
LUKE BURTON
lukeburton.tumblr.com
bosseandbaum.com/artists/luke-burton
instagram luke_p_burton
'Impossible Weather' solo exhibition 2020 Bosse and Baum
'The Artist Oracle' Sep 2021 White Crypt
ARTISTS & ARTWORK
Coptic Textiles
Donald Judd
Hans Holbein the Younger
Lee Krasner
Neil Cummings
'Rebel Without A Cause' 1955 film
BOOKS & WRITERS
Adam Phillips 'Attention Seeking' 2019
Ben Lerner 'Leaving the Atocha Station' 2011
Ben Lerner '10:04' 2014
Ben Lerner 'Contest of Words' Harper's Magazine 2016
Harriet Lerner, clinical psychologist and author
Isabel Hardman 'Why We Get the Wrong Politicians' 2018
Lidija Haas 'The Guardian' 4 Nov 2019
Owen Jones 'The Grammar of Ornament' 1856
Rachel Kusk 'Outline' 2014 'Transit' 2016 'Kudos' 2018
GALLERIES & ORGANISATIONS
Barbican Gallery, London
Girton College, University of Cambridge
Victoria and Albert Museum V&A
Friday Jun 11, 2021
Friday Jun 11, 2021
Guest artist KAREN McLEAN
joins Elizabeth Fullerton to chat about her work via Colson Whitehead's 2016 novel 'The Underground Railroad' published by Doubleday. The historical fiction tells of 19th century slaves Cora and Caesar and their attempts to escape to freedom in America's south west.
Starting with her intensely researched art practice, Karen McLean and Elizabeth explore stories of rebellion and suffering amongst individuals and the collective, including female power, body ownership, intergenerational identity, mental illness and a vast knowledge of plants used as a method of resistance. They also delve into the structural legacies created by the sugar, cotton and indigo industries; colonialism, covert operations, syncretic religions, and the rise of the blue devil.
(This episode is co-produced by Jillian Knipe and Elizabeth Fullerton with music by Griffin Knipe and image by Joanna Quinn of Beryl Productions)
KAREN McLEAN
instagram karenmclean_art
karenmclean.co.uk
'Blue Power' 2021 Block 336
'Ar'n't I A Woman' 2021 Block 336
'The Precariat' 2017 Lewisham Arthouse
ARTISTS
Anish Kapoor
Donald Judd
Doris Salcedo
El Anatsui
Eva Hesse 'Contingent' 1968
Gees Bend Quiltmakers, Alabama
Ibrahim Mahama
Joseph Beuys
Kara Walker
Louise Bourgeois
Paul Goodwin
Sheila Gowda
Teresa Margolles
Theaster Gates
Tracey Emin
BOOKS ACTIVISTS THEORISTS
Alan Krell 'The Devil's Rope: A Cultural History of Barbed Wire' 2002
Alice Walker 'Everyday Use' 1973
Bell Hooks 'Ain't I A Woman: Black Women and Feminism' 1981
Deborah Grey White 'Ar'n't I A Woman' 1985
Edward Said (Professor of Literature, Columbia University)
Emily Zobel Marshall 'Anansi's Journey: A Story of Jamaican Cultural Resistance' 2012
Harriet Tubman, 'Harriet' film 2019
Hilary Beckles 'Natural Rebels' 1989
Homi Bhabha 'Of Mimicry and Man: The Ambivalence of Colonial Discourse' 1984
Jacques Lacan (psychoanalyst)
Sojourner Truth (abolotionist, women's rights activist) 'Ain't I A Woman' speech 1851
Toni Morrison 'Beloved' 1987
GALLERIES LOCATIONS RESOURCES
Afterprojects, Julie Bentley
Birmingham City University
Black Cultural Archives, Brixton UK
Block 336, Brixton UK
Gees Bend Quilting Retreat
Goldsmiths University of London UK
King's Cross Station, London UK
Shakespeare's House, Stratford UK
The Gale Plantation, Jamaica, Caribbean
The New Art Gallery, Walsall UK
The Steamhouse, Birmingham UK
Trinidad & Tobago, Caribbean
Monday May 24, 2021
Monday May 24, 2021
Guest artist DEAN KENNING
joins me to chat about his work via John Maxwell Coetzee's 2013 allegorical novel 'The Childhood of Jesus'. The story revolves around five year old David with his father-by-default Símon, on their quest to find a mother for the boy and a better life for the three of them.
Winner of this year's prestigious Mark Tanner Sculpture Award, Dean Kenning, and I go on to discuss his clunky sculptures, social body-mind maps and his philosophical mish mash 'Metallurgy of the Subject'. We delve into the cracks between the flatness to explore ideas around satire, proliferation, bad infinity, socialist utopia, universal modes of seeing the world, common language, allegorical imagery, the importance of the father, avoidance of composition, a dislike for kinetic work, redundant technology, history as a bloody struggle and poo in sausages.
(This episode is produced by Jillian Knipe with music by Griffin Knipe and image by Joanna Quinn of Beryl Productions)
DEAN KENNING
deankenning.com
instagram Dean Kenning notfairbear
'The Origin of Life' 2019
'Psychobotanical' 2019 Matt's Gallery
'Renaissance Man' 2017
'Metallurgy of the Subject' ongoing
ARTISTS
Antony Gormley 'Angel of the North' 1998
David Bowie (musician)
Emma Cousin 'Chats in Lockdown' podcast
English Heretic (musicians)
Hieronymus Bosch
Kiki Smith 'Her Memory' Fundació Joan Miró
Leonardo da Vinci 'Vitruvian Man'
Paul McCarthy 'Painter' 1995
BOOKS & THEORISTS
Benjamin Markovits (writer)
C L R James 'The Black Jacobins' 1938
Colm Tóibín 'The Testament of Mary' 2012
Franz Schubert (composer)
Immanuel Kant (philosopher)
J M Coetzee 'Disgrace' 1999
J M Coetzee 'Waiting for the Barbarians' 1980
Johann Wolfgang von Goethe 'Erlkönig' 1782
Jacques Lacan (psychoanalyist)
Jean Fisher (professor, art critic, writer)
Jean-Luc Nancy 'The Inoperative Community' 1986
John Roberts (philosopher) 'Dean Kenning's Kinetics' 2019
Jorge Luis Borges 'Three Versions of Judas' 1944
Joyce Carol Oates 'My Life as a Rat' 2019
Karl Marx
Kazuo Ishiguro 'The Buried Giant' 2015
Plato 'Republic' 375BC
Russell Hoban 'Riddley Walker' 1980
Susan Buck-Morss (professor, philosopher, historian)
William Burrows (writer)
William Morris 'Useful Work versus Useless Toil' 1885
Walter Benjamin (philosopher)
William Playfair (engineer)
TELEVISION
'Day of the Triffids' from 1981
'Dr Who' from 1963
Kenny Everett
Monday May 10, 2021
Monday May 10, 2021
Guest artist KATE MccGWIRE
joins Elizabeth Fullerton to chat about her work via American wildlife scientist Delia Owens' 2018 novel 'Where the Crawdads Sing'. In an ode to the beauty and violence of nature, the story centres around wild "marsh girl" Kya Clark. Abandoned and isolated from childhood, young Kya relies on nature to teach her the basics of survival as well as deluding her that one day she will be rescued. Interaction with other humans provides a whole different set of support and threatening challenges.
Identifying with Kya's barefoot 'n' wild soul, Kate MccGwire and Elizabeth Fullerton share stories of herons, crows, eagles, magpies, blackbirds, turkeys, pheasants, tropicbirds and the confounding snobbiness around pigeons and doves who are both part of the Columbidae family. They go on to explore snakes, oozing, gushing, skin, bones, intestines and scrotum' as well as darkness, resilience, rapture, seductions, repulsion, calm, turbulence, obsessiveness, working intensely, choir singing and Kate achieving a distinction for her dissertation at the Royal College despite being dyslexic.
(This episode is co-produced by Jillian Knipe and Elizabeth Fullerton with music by Griffin Knipe and image by Joanna Quinn of Beryl Productions)
KATE MccGWIRE
katemccgwire.com
instagram kate_mccgwire
'Cavort' 2020
'Sluice' 2009
'Sominal' 2019
ARTISTS & DESIGNERS & PERFORMERS
Akram Khan
Berlinde de Bruyckere
Doris Salcedo
Eva Hesse
Helen Chadwick
Helmut Lang
Hermès
Lancelot 'Capability' Brown
Mona Hatoum
Robert Adam
Thomas Chippendale
BOOKS
Annie Proulx 'Barkskins' 2016
Douglas Stuart 'Shuggie Bain' 2020
Khaled Hosseini 'A Thousand Splendid Suns' 2007
Margaret Atwood 'Dearly: Poems' 2020
Tim Winton 'The Shepherd’s Hut' 2018
GALLERIES & ART DESTINATIONS
Galerie Les Filles du Calvaire
Grand Palais Éphémère 'Art Paris' 2021 contemporary art fair
Harewood House, Leeds
The Lowry, Manchester
SERIES
'It’s a Sin' written by Russel T Davies
MUSIC
Benjamin Britten 'Peter Grimes' 1945
Henry Purcell 'Hear my prayer, O Lord' 1682
Henry Purcell 'Lord, How Long Wilt Thou Be Angry'
Friday Apr 23, 2021
Friday Apr 23, 2021
Guest artist FIONA CURRAN
joins me to chat about her work via Esther Kinsky's 2020 novel 'Grove : A Field Guide'. The story is directed by a narrator who takes a trip to a village on the outskirts of Rome which was supposed to be an adventure with her recently deceased partner.
Fiona and I go on to discuss how the work of her current solo exhibition developed during lockdown and a nasty bout of covid, as well as an earlier, major outdoor installation. We expand on landscape as a character, contemporary poetry, a balance of bleak and beauty, loss of identity through grief, looking for solace in the landscape, loving everything Italian, beyond the optical, seduction of the screen, the colour blue, extreme fatigue, memory flooding into the present, sanitisation of nature, resurfacing, fragmentation, aimlessness, hovering, disorientation and losing a sense of self.
(This episode is produced by Jillian Knipe with music by Griffin Knipe and image by Joanna Quinn of Beryl Productions)
FIONA CURRAN
fionacurran.co.uk
instagram fiona_curran
'Jump Cut, Still Life' solo exhibition at Broadway Gallery
'Your Sweetest Empire is to Please' outdoor installation at Gibson Estate
ARTISTS
Anna Maria Garthwaite
Anni Albers
Florence Peake
Fra Angelico
Gunta Stöltzl
Hannah Luxton
Hélio Oticica
Henri Matisse
Lindsay Seers
Lygia Clark
Lygia Pape
Mary Heilman
Raoul De Keyser
Sonia Delaunay
BOOKS
Anne Truitt 'Daybook : The Journal of an Artist' 1982
Esther Kinsky 'River' 2014
Jeremy Cooper 'Bolt from the Blue' 2021
Joanne Kyger 'The Japan and India Journals 1960-1964' 1981
Linda J Lear 'Rachel Carson : Witness for Nature' 1994
Rachel Carson 'Silent Spring' 1962
Rebecca Solnit 'A Field Guide to Getting Lost' 2005
GALLERIES
Bosse & Baum
Broadway Gallery, Letchworth
THEORISTS & BOTANY
Gibside Estate
Kew Gardens
Mary Eleanor Bows 1749-1800
Mary Wollstonecroft 1759-1797
Paul Virilio 1932-2018
FILM
Michelangelo Antonioni 'Red Desert' 1964 starring Monica Vitti
Pier Paolo Pasolini 'The Hawks and the Sparrows' 1966 'Notes Towards and African Orestes' 1970
Wednesday Mar 31, 2021
Wednesday Mar 31, 2021
Guest artist LINDSAY SEERS
joins Elizabeth Fullerton to chat about her work via Russell Hoban's 1980 novel 'Riddley Walker'. A child of sorts in a futurist, post-nuclear explosion setting which harks back to the iron age, far from walking, the narrator Riddley is on the run. His patriarchal heritage has deemed him 'connexion man' and alongside his role of puppeteer, interpreter and propaganda pusher, Riddley begins to uncover the truth of past cleverness which is officially prohibited under religious conjecture. He throws himself to the dogs and together they journey through danger and forbidden knowledge in a story held together by a fragmented new language.
Layering ideas and various time zones, Lindsay Seers and Elizabeth Fullerton explore imposter syndrome, hunger for power, problems with articulation, excess of language, confusion, the puppet who overwhelms the puppetmaster, the search for new forms of artwork, becoming a camera, character instability, non normative brains, compassion, discomfort, connections, coincidences, blips, misunderstandings, signs, traces, unknown causes, unknown effects, mass hallucination, states of becoming, constant evolution, multitude of narratives, grand historical narratives, personal history, quantum theory, quantum biology, metaphysics, unified consciousness, the impossibility of identifying origin, and eye gouging.
(This episode is co-produced by Jillian Knipe and Elizabeth Fullerton with music by Griffin Knipe and image by Joanna Quinn of Beryl Productions)
LINDSAY SEERS
lindsayseers.info
instagram lindsayseers1
'Entangled'
'Every Thought There Ever Was'
'Nowhere Less Now'
The following references are mentioned on Podcast Episode 22 or suggested by guest artist Lindsay Seers :
AUTHORS & BOOKS
Anthony Burgess 'A Clockwork Orange' 1962
Arto Paasilinna
Brian Massumi 'What Animals Teach Us About Politics' 2017
EE Cummings
Frances Yates
Gerard Manley Hopkins
James Joyce
Jim Al-KKhalili & Johnjoe McFadden 'Life on the Edge : The Coming of Age of Quantum Biology' 2014
Jeremy Cooper 'Bolt From the Blue' 2021
Kevin Breathnach 'Tunnel Vision' 2019
Lindsay Seers 'Human Camera' 2007
T S Eliot
Virginia Woolf
THEORISTS
Benjamin Libet - Libet's Clock
Carl Jung, psychiatrist
Giles Deuleuze
Henri Bergson
Jacques Lacan, psychoanalyst
John Dee
Maurice Merleau-Ponty
Samuel Barclay Beckett, novelist and playwright
ARTISTS & GALLERIES & ART ORGS
Artangel
Derek Jarman 'Jubilee' 1978
Ewerk, Berlin
Fabrica Gallery, Brighton UK
Focal Point Gallery, Southend-on-Sea UK
Hospitalfield Gallery, Arbroath, Scotland UK
Ikon Gallery, Birmingham UK
John Hansard Gallery, Southampton UK
MONA (Tasmania), Australia
Nine Elms site, Matt's Gallery, London UK
Robin Klassnik, Matt's Gallery, London UK
Sharha Art Foundation, UAE
Sursock Museum, Lebanon
Tate, London UK
TELEVISION & FILM
Everything by Adam Curtis (English documentary filmaker)
'The Bridge' series 2011
'The Fly' film series
'The Quartermass Experiment' series 1953
'Twin Peaks' series 1990
'Twin Peaks : The Return' series 2020
Wednesday Mar 10, 2021
Wednesday Mar 10, 2021
Guest artist LIZ ELTON
joins me to chat about her work via Max Porter's 2019 novel 'Lanny'. The story revolves around a young boy named Lanny and his disappearance in the setting of an English village bordered by a forest. Little lad Lanny is as captivating as his author's ability to envelope us deep within the seams of the village's social and ecological networks, where Dead Papa Toothwort oversees all, over all time.
Bouncing off nature and infinite ephemerality, Liz and I go on to discuss her work selected for the John Moores Painting Prize as well as her upcoming residency with the Mark Rothko Memorial Trust. We talk of the constant state of becoming, nourishment, self care, delicate touch, bruising, translucency, landscape, lightness, mortality, composting, ritual, recycling, equality, silk thread, internal shadows, wastage, potential, breakdown, food labour and that fragile layer of soil on which all life depends connecting with our own skin.
(This episode is co-produced by Jillian Knipe and Elizabeth Fullerton with music by Griffin Knipe and image by Joanna Quinn of Beryl Productions)
LIZ ELTON
lizelton.com
instagram liz_elton
'John Moores Painting Prize' exhibition at Walker Art Gallery
'Flowers of Romance' group exhibition at White Conduit Projects
ARTISTS
Alice McCabe
Allyson Keehan, curator
Angela de la Cruz
Dillwyn Smith
Din Q Lê 'The Colony' 2016
Eliza Bennett
Elizabeth Murton
Eric Ravilious
Francisco Goya
Jem Finer 'Longplayer' at Trinity Buoy Wharf, longplayer.org
Johannes Vermeer 'Girl with a Pearl Earring' 1665
Julie F Hill
Katharina Grosse
Mark Rothko
Michael Landy 'Breakdown' 2001
Michelangelo 'Pieta' ('The Pity') 1498-1499
Paul Bramley, curator
Sam Gilliam
Sarah Pager
William Dyce 'Pegwell Bay, Kent - a Recollection of October 5th 1858' 1858
Yves Klein
AUTHORS & BOOKS
Anna Souter 'Vegetate Project'
Anna Tsing 'The Mushroom at the end of the World' 2015
Charlotte Higgins on Michael Landy, 'The Guardian' 27 Jan 2021
Clive King 'Stig of the Dump' 1963
Donna Haraway
Frances Hodgson Burnett 'The Secret Garden' 1911
Jane Bennett 'Vibrant Matter : A Political Ecology of Things' 2009
Merlin Sheldrake 'Entangled Life : How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures' 2020
Norman Bryson 'Looking at the Overlooked' 1990
Robin Wall Kimmerer
Steven Connor 'The Book of Skin' 2004
Sue Stuart-Smith 'The Well Gardened Mind' 2020
T S Eliot 'Burnt Norton' 1935
Thomas Hardy
Thomas Piketty 'Capital in the Twenty-First Century' 2013
Tim Dee 'Landfill' 2018
Timothy Morton 'Being Ecological' 2018
Tracy Chevalier 'Girl with a Pearl Earring' 1999
GALLERIES
163 Gallery, London, juliebentley.co.uk
South London Gallery
Walker Art Gallery, Liverpool
White Conduit Projects, London
FILM & TELEVISION & RADIO
'Girl with a Pearl Earring' 2003, director Peter Webber
'Princess Mononoke' 2001, director Hayao Miyazaki
'The Archers' 1950-ongoing BBC Radio 4
PLACES
Belarus
Chew Valley Lake, Somerset UK
Harris, Outer Hebrides Scotland UK
Latvia
Lithuania
Maeshowe, Orkney Scotland UK
Pegwell Bay, UK
Ring of Brodgar, Orkney Scotland UK
St Kilda, archipelago off Scotland UK
OTHER
A P Fitzpatrick Fine Art Materials
Artangel
Mark Rothko Memorial Fund
Maye E Bruce, inventor of 'Quick Return' compost system 1935
Slade School of Fine Art
Wimbledon School of Art